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Kevin Daniel Williamson (born September 18, 1972) is an American political commentator. He is the national correspondent for The Dispatch. Previously, he was the roving correspondent for National Review.
The End Is Near and It's Going to Be Awesome: How Going Broke Will Leave America Richer, Happier, and More Secure is a 2013 non-fiction book by Kevin D. Williamson about the growing debt crisis in the United States.
There is more to authentic political liberalism than what the law says and what the Supreme Court will allow—it necessarily involves the cultivation of essential civic virtues oriented toward ...
All right, you maniacs, welcome to the 2024 presidential debates moderated by me, your favorite correspondent, Kevin D. Williamson of The Dispatch.
Trump’s Toxic Touch. Kevin D. Williamson. April 11, 2024 at 11:41 PM. Donald Trump loves gold, but he has the opposite of the Midas effect: Everything he touches turns to dross—even when he...
Kevin Meade Williamson (born March 14, 1965) is an American screenwriter, director, and producer. He is known for developing and writing the screenplay for the slasher film Scream (1996)—which launched the Scream franchise —along with those for Scream 2 (1997) and Scream 4 (2011).
We Don’t Have a Wealth Problem. We Have a Math Problem. Kevin D. Williamson. December 18, 2023 at 9:00 AM. From the Wanderland on The Dispatch. As a wise man once observed, “When you look...
Outerbanks Entertainment is an American production company based in Los Angeles, founded in 1995 [1] by screenwriter Kevin Williamson. [2] It produced the CW series The Vampire Diaries (2009–2017). Past credits include Dawson's Creek (1998–2003).
Kanelos noted that UATX has captured the imaginations—and the hopes—of enough supporters that it will be able to offer full scholarships to every member of its first class. “Nobody believed ...
The New Criterion is a New York –based monthly literary magazine and journal of artistic and cultural criticism, edited by Roger Kimball (editor and publisher) and James Panero (executive editor). It has sections for criticism of poetry, theater, art, music, the media, and books.